On artistic creation: theoretical, aesthetic, and practical motivations

Authors

  • Brahiman Saganogo Universidad de Guadalajara

Keywords:

Creative method, Artistic creation, Imagination, Social reality, Artist, Art

Abstract

As a sensitive activity of the artist, the essence of artistic creation centers on art, imagination, style, the creative method, the theory of reflection, and the artist, the subject of creation, endowed with a dual personality: the biological and the psychological. These are factors that shape this practice through a relationship of interdependence, implication, or interaction

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References

Bourieu, C. (2003). Qu´est-ce que l´imagination? 2o édition. Librairie philosophique Vrin.

GORÍN, V. (1980). La estética marxista-leninista y la creación artística, trad. M. Kuznetsov. Editorial Progreso.

Kagan, M. (1984). Lecciones de estética Marxista-Leninista, trad. Natalia Labzóvskaya. Editorial Arte y Literatura.

Koprinarov, L. (1990). Estética. Editorial Pueblo y Educación.

Pouivet, R. (2007). Qu´est-ce qu´une œuvre d´art? Librairie philosophique J. Vrin.

Talon-Hugon, C. (2004). L´Esthétique, 3 o édition. Presses Universitaires de France.

Timoféiev, L. (1979). Fundamentos de teoría de la literatura, trad, L. Kleinard. Editorial Progreso.

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Published

2025-12-29

How to Cite

Saganogo, B. . (2025). On artistic creation: theoretical, aesthetic, and practical motivations. árbolQestional, 2(3), 1–14. Retrieved from https://revistaarbolqestional.cucsh.udg.mx/index.php/arbolQestional/article/view/25

Issue

Vol. 2 No. 3 (2026): January-June

Section

Miradas latinoamericanas de las disciplinas filosóficas

License

Copyright (c) 2025 Brahiman Saganogo

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